May Flowers

I just got a new scanner for my birthday.  Come see what bloomed!

Everything from traditional to modern.  Enjoy the garden 🙂

watercolor and pencil

watercolor and pencil

watercolor, watercolor pencil, and ink

watercolor, watercolor pencil, and ink

watercolor and watercolor pencil

watercolor and gesso

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The Heidelberg Project: Revitalizing Detroit through Art

I recently had the opportunity to experience The Heidelberg Project in Detroit.  For those of you who aren’t familiar with the project, it’s basically one huge art installation consisting of a block of houses on Heidelberg Street in an urban area on the East Side.  Tyree Guyton is the founder and artistic director.  He displays found objects in creative and thought-provoking ways.

I’m always up for an adventure, especially one that involves viewing local art in the community.  So when a friend of mine suggested a visit, I immediately said “YES!”  But I had no idea what I was in for.

Follow me as I take you on a guided tour.  But beware.  This is only my personal view.  You have to experience it yourself to get the full story.  A couple of tips:  Definitely bring a camera.  You can simply drive by the project, but I suggest that you walk through it.  Total immersion.  Let yourself feel something.  You might even walk away feeling changed, as I did.

As an avid reader, children’s librarian, and author/illustrator, I walked through this exhibition feeling like I’d fallen into a fantasy story.  Think Return to Oz meets Alice in Wonderland meets And To Think That I Saw It On Mulberry Street meets The Phantom Tollbooth

Here are some of my favorite houses!

Some of the recurring themes are:

Where can God be found?

The Taxi

The political commentary was endless…

There are many faces to the story being told.

Some provide comic relief

While others send a powerful message

Material and environment seem to coexist in some sort of beautiful irony.

There are very few words in this exhibition, so the words included have greater impact.  As an artist, I found inspiration here.

What I like best about the project is that it’s a work in progress. Nothing, not even fire, can destroy it. Perhaps that says something about the city itself.

I’m not originally from Detroit.  I moved to the metro area several years ago.  The city loomed like an enormous tin man.  But my first thought when I got here was that underneath all the industrial layers, it had heart.  Even now, I have to admit that Detroit still remains somewhat of a mystery to me.  At the same time, I support all of its revitalization efforts.  After all, who doesn’t love a good comeback story?

Interview with Author/Illustrator Denise Fleming

I had the honor of interviewing author/illustrator Denise Fleming.  I became familiar with her work long before I became a children’s librarian.  We share the same hometown, Toledo, OH.  The children’s section of the Sanger Branch library features her characters.  Literally, it’s like walking into one of her books.  Then, in December of 2012, I had the opportunity to meet her in person at a book event.  She shared her unique process of pulp painting.  Check out her latest books, including underGROUND, on her website.  To find out about her upcoming projects, read on!
 
 
 
 
AK: What do you like best about Toledo?
 
 
DF: People often ask why I still live in Toledo, my birthplace. They seem to find it strange that I still am here. Well, first off, it is very affordable. Then there is the fact that my family is here–my tiny family of a sister, brother-in-law, husband, and daughter. Ann Arbor is only 45 minutes away and it’s a great city to ramble around and see art–there is a wonderful paper store and many great restaurants with interesting cuisine. I also love the fact that we have seasons–although, a great winter of snow seems to be a thing of the past. We have a cottage at a spring-fed lake that is only an hour and ten minutes away, so, when I want a change of scenery I can drive there any time of day. My husband and I like to arrive late at night and go right to sleep. When we wake up, we may take a ride on the pontoon boat, visit the farm market, or work in the clay studio behind the cottage. It is a good life. My adult self is not much different from my child self.
 
 
AK: Animals in nature seems to be a recurring theme in your books.  What is your favorite critter and why?
 
 
DF: I have always felt more comfortable in nature than around people. We have planted our  3/4 acre yard to be a habitat for wild creatures, so we have lots of squirrels, possums, owls, butterflies, raccoons, garter snakes, rabbits, birds, a box turtle or two and, every now and then, deer. There used to be many more creatures–fox, pheasant–but development has cut down on open space. People are surprised when they enter our yard, which is pretty secluded from neighbors with plantings and is so different from surrounding yards. Delivery people always say it is like being on vacation. Our cottage is also pretty wild as far as vegetation goes, and there are lots of creatures there–wood ducks, mallards, Canada geese, muskrats, turtles, sandhill cranes, herons, and lots more. As for a favorite animal–love them all–even when they create problems for me. I think we need to respect wildlife.
 
 
 
 
AK: How did you discover pulp painting?  How did you know this was your style?
 
 
DF: I took an adult continuing ed class with my sister at the high school down the street. We thought taking this class might offset February cabin fever, which is a problem in the midwest. The class description said we would be making handmade paper notecards etc. The colored paper pulp was in huge galvanized tubs. It was like a gigantic palette. Wow! Forget notecards, I wanted to make pulp paintings!!
I then went on to take more paper making classes at Arrowmont School of Arts and Crafts in Gatlinburg Tenn., where I poured the first pieces for Count!
Pulp painting was a fit–no question. It was physical, it was process, it really worked for me. Recently I have added collage to the pulp paintings, and I am working on a book where I pour just the backgrounds and collage the foreground. I also have experimented with other media–not paper making. Didn’t work. Felt uneasy. Not me.
 
 
 AK: Describe a typical work day.  Do you have any rituals for getting started?  What must you have by your side?
 
 
DF: There is no usual workday–it varies enormously. I may draw, design, write, think, redo, edit, whatever. I have no starting time. Summer/spring is my best  work time, as the days are long, and I am much more productive. I do have music on when I work.  That also varies with my mood–maybe Ella, Louie or James Taylor, Nora Jones, etc. As the day progresses, I change music styles.
Mealtimes are random. Breaks are here and there. I may decide to go to the cottage to work on manuscripts as chores are not as numerous there and it is very quiet.
I need a huge glass of ice water or iced tea beside me when I start working. When I am really concentrating, I breathe through my mouth and my throat becomes very dry.
 
 
 
 
AK: You said that you love strong action words that convey movement and sound.  What is one of your favorites?
 
 
DF: Oh gosh, I love words like crunch, slip, slide, swoop, shuffle, I could go on and on.  If it was another day I would offer different words.
 
 
AK: What inspires you or helps you shake off writer’s block?
 
 
DF: Reading, sitting in the porch swing, running errands, talking to an art friend on the phone, visiting with my daughter, and snacking.
 
 
AK: I see in a photo on your website that you have an idea board.  Can you tell us about that?
 
 
DF: I post anything that catches my fancy on several big cork boards. Right now there are some great magazine photos of hens, wild colored flowers, children, trucks, baby armadillos, lists of words, articles about reading, baby teeth, cool tiny houses, quick sketches, dancing figures–really all sorts of things to start me thinking. They may never be in a book but may spark an idea that starts an idea chain. Often what I start with is not in the finished book. I also work in different media–clay, cloth, recycled tin cans–the things that I create in those media inform my book work.
 
 
 
AK: Which character in literature do you most identify with? And which one would you secretly hope to be?
 
 
DF: Pippi, of course. I now have red hair, a drawer full of striped socks, I’m not too crazy about authority, and would like to live on a houseboat.
I do braid my hair sometimes. I must reread the books. Pippi— here I come!
 
 
AK: What advice would you give to an aspiring writer/illustrator?
 
 
DF: Ah, this is a toughy. For me it was focusing on learning what I truly loved. Not following someone else’s lead. Doing only what felt right to me. When I first started, I illustrated mass market books, which was a fabulous learning experience. It not only taught me about gutter, page design, and pagination, it made me realize that what I wanted to do was write and illustrate in the trade book field. Prior to this, I was a freelance artist mostly picking up advertising work. I had never taken any book design classes, etc. I learned by studying books I liked and figuring out why I liked them. As for titles, I know you are going to ask–no specifics. I studied hundreds and hundreds of books. I tried all sorts of media. I accidentally found pulp painting, and it all clicked. I had several manuscripts that I was working on writing. Count! and In the Tall, Tall Grass were what came of combining the words and the pulp paintings.  And of course I can’t leave out Laura Godwin at Holt. She was my fairy godmother. She got it from the get go–it was a match. Give a shout out to Laura–my bantering buddy and editor.
So, advice. Go for it! Try all avenues. Join SCBWI. Take classes. Realize everything you do is not precious. And not everyone will like what you do. Work!!!!
 
 
AK: Tell us what you’re working on now or a project you finished that you’re particularly excited about.
 
 
DF: I am working on several book dummies right now. Experimenting and trying some new things–some of which have been massive failures–“What was I thinking?” ideas. Remember, not everything you do is precious.
I am ready to make finishes on a book titled Go, Shapes, Go! A lot of what I do falls under concept books. I do few regular stories. Although, I have some that I soon will be showing around. I am afraid I have been pigeonholed as only writing/illustrating concept books by my supporters. Publishers are cool with me doing stories, but fans, not so much. Teachers and librarians use my books a lot and concept fits with what they do. Pooh, I say! Not really–I love doing concept books.
 

SCBWI: WWMW Conference 2013

Mixed Media

Howdy partners!  I’m back from the Wild, Wild Midwest conference in Fort Wayne, IN.  One word: inspiring!

Above is the piece that I submitted for the art show.  I consider it an exploration of style, one of my goals for this year.  It’s a combination of my favorite mediums right now: collage, watercolor, and ink.  I really enjoyed the hands-on aspect of it, even as I hoped the glue would hold 😉  And I also got the salt trick to work!

“The Queen of Spades” was inspired by my very own Philodendron.  I promise that no plants were harmed in the making of this piece 😉  My plant did have a few adventures away from its usual tabletop spot in the living room…  I’m just glad it survived!  It’s my only plant.  I credit it to my best friend who gave it to me.  She’s like mother nature when it comes to plants.  I, on the other hand, am known for having a “black thumb.”

In Japanese culture, everything has a spirit, including trees.  Here is my representation of this concept.  In this case, I wanted to capture the spirit of my own plant.  If I were to pitch this piece as a story idea, it would sound something like this:  What would you do if you found out your plant was truly alive?  One illustration concept that art director Laurent Linn mentioned at the conference was the idea that everything in a scene is a character.  I really took his idea literally 😉  He also said that the difference between children’s illustration and other types of art is storytelling and emotion.  You should shape your portfolio around this concept.  Good advice!

Check out other great entries from the Michigan chapter here.

Event photos!

Dinner with illustrators at sushi restaurant: Who could ask for anything more?

One of the best parts about conferences like these are the opportunities to network and socialize with friends 🙂

Jane Yolen and the Naked Mole Rat, unlikely friends: One wild Midwest party brought them together

I’m sure you all know Jane Yolen.  She’s considered ‘The Hans Christian Andersen of America.’  BUT, did you know she teamed up with the Naked Mole Rat, star character of Mo Willems infamous book: Naked Mole Rat Gets Dressed?  It just goes to show, friendship develops in unlikely places, including the Wild, Wild Midwest!

All good things must come to an end.  Kathi Appelt, author of Keeper and The Underneath, left us with some great parting thoughts.  She said that all the best words, all the ingredients needed for a great story, start with the letter P.  Brilliant!  Think about it…  Can you guess the final word she mentioned?  POSSIBILITIES!

My friend Katherine Carver challenged me to come up with one word as my theme for the year.  Can you guess what word I came up with?  I mentioned it in a previous post.  Hint: it’s not serendipity, although that is also a great word.

To see how this challenge works, go to her blog.  What will your word for the year be?  Please share!

Art Isn’t

Art isn’t perfect.

It’s well-intentioned

intuitive

thoughtful and

thought-provoking

expressive

messy; experimental

effort and practice

and sometimes failure

transformed into “happy mistakes”

 

It’s vision

in translation

fast turns and skid marks

wiping away and letting go

 

spaces to breathe

 

full of emotion!

a culmination

of all that we are

and what we can be

if we try

 

© 2013 Angie Kidd all rights reserved